THREE MISSED CONNECTIONS
(found SD, 2014. 9 min 6)
Digitally mediated denial, Bergsonian comedic obsession, and ultimately dubious acceptance. The stuttering, disembodied voice of regret speaking to three separate unholy ghosts.
(found SD, 2014. 4 min 37)
A quasi aquarian meditation and minimal tone composition on peril and preparation.
(HD, 2013. 3 min 10)
Unused moments from the Kickstarter project that didn't get funded. Trying to find the right words, failing.
FIVE WINDOWS IN THE ATTIC
(DV, 2012. 9 min 36)
There's always a pane of glass between interior and exterior universes, a translucent membrane between meditation and cathexis.
I WOULD LIKE IT VERY MUCH
(text on VHS, 2012. 3 min 30)
I would like to be brave. I would like to embarrass us all. I would like it very much if you watched this video.
A FEELING ONLY MADE WORSE
(text on VHS, 2012. 4 min 10)
He always left a message. She hated answering the phone. Their connection was their disconnection.
(HD Video, 2012. 4 min 30)
You and me, but mostly me. A belated response to Rosalind Krauss.
AMERICAN DISCOTHEQUE NUMBER ONE
(XDCAM HD, 2011. 2 min)
A celebration (of sorts) as artist and audience share a singular moment of aesthetic consumption. Lovely is the feelin' now. I won't be complainin'. The Force is Love power.
TRUCK IN WATER
(Super 8mm to HD, 2011. 4 min 30)
Signs and symbols at the nearest edge of human oblivion.
(Tap Water, Peanut Oil, Canning Jar. 2011.)
A mason jar is a symbol of preservation and duration. Humans are mostly water. Conspicuous consumption, in real time.
MY SAD BINARY GEN
Post-structural poetry. Complicated emotions expressed through the collision of commonplace phrases.
WE WANT TO GIVE YOU $40 ASK US HOW
(miniDV, 2010. 2 min 30)
A stolid examination of the yellowest sign on the poorest sign of town.
THE STEADY FLOW OF TRAFFIC
(HD, 2010. 4 min 43)
Color and sound at the perpendicular intersection of two very different types of traffic.
THE PERSISTENCE OF VISION
(monitor in dark volume, digital flicker. 2010)
An installation about light perception, emptiness, and the similarities between presence and absence.
SIXTY-SIX SUMMER SHOWBOAT
(found double 8mm on miniDV, 2010. 2 min 30)
A toddler is violently displeased by a mirrored image of himself. WTOP TV's Bill Diehl presents the unabashed Mid-Morning news.